I am happy to announce that along with William Coppola (University of North Texas) I am now co-authoring volume 7 of the World Music Pedagogy series on Routledge press.
12/7/18
World Music Pedagogy
I am happy to announce that along with William Coppola (University of North Texas) I am now co-authoring volume 7 of the World Music Pedagogy series on Routledge press.
Research Evaluation in Music
10/27/18
Nordic Network for Music Education 2018 Master Course
Hebert-Goto Duo 2018
Although filmed in late 2017, the production on these videos was just completed in October 2018.
Also, below is an amateur video of our original composition ‘Facing Global Challenges’ which was performed at the opening of the 2018 Bergen Summer Research School.
10/12/18
Sustainable Development and Cultural Policy
The theme of the 2019 program concerns the Sustainable Development Goals (SDGs), which have important implications for policies concerning cultural heritage. Policies in this area impact an array of traditional practices, including music and performing arts, visual arts, language arts, customs and rituals.
How would you frame your research to make an impact on policies for a sustainable future? . . . . . There is an urgent need to connect research to the 2030 Agenda. Next summer, we select 100 PhD candidates to discuss and explore science advice with some of the best international practitioners.
Applications are welcome starting December 1, 2018.
BSRS 2019 offers a series of parallel multidisciplinary working groups with top international lecturers, and cutting-edge keynotes to help you make your research play a role for a sustainable future. The research school is tied together by common sessions on cross-disciplinary issues, plenary discussions. writing and presentation skills.
*UPDATE (May 27, 2019):
The outstanding PhD students selected to join this course in Summer 2019 are from Canada, Nigeria, Ethiopia, Ghana, South Africa, Brazil, Kosovo, Syria and Germany.
Below is an encouraging sign, a photo I took the last time I was flying in China. It shows that even corporations, in places like China, are seeing it as advantageous for their public relations to pledge support for the SDGs . . . .
Book Launch and Concert in Italy
9/13/18
Nordic Tour of Chinese Musicians
A group of renowned musicians from China will be touring each of the Nordic countries over the next few weeks (September, 2018).The musicians include leading performers of Chinese traditional instruments (yanqing, guzheng, pipa, erhu), professors at Central Conservatory of Music, as well as one of China’s best known composers, and young award-winning performers on piano and violin. The musicians are on a Chinese government-sponsored tour of all Nordic countries, arranged through the Confucius Institute.
I will be joining them in Helsinki, Finland and Bergen, Norway, where I will give some lectures on music in East Asia that are coordinated with their visit. Also, I have been asked by the Director of Norway's Confucius Institute to serve as the MC introducing the ensemble's performance during the concert in Bergen. It will be exciting to see their performances, as well as how European audiences respond, and to also have a chance to see the same musicians later this year in Beijing. We are hoping, within just a few years, to host Chinese musical instrument teachers for a long-term residency in Bergen, Norway.
9/3/18
East Asian Studies Book Launch in Norway
8/15/18
Music Education in Northern Europe
7/13/18
Advancing Music Education
We will soon be giving a presentation about recent developments in Northern Europe for the world conference of the International Society for Music Education, in Baku, Azerbaijan. We are happy to report that the book on which this presentation is based has now entered the production stage and will be published by Routledge within about six months. The manuscript received positive reviews, and we are currently contemplating cover designs and awaiting the "proof" results of the layout process.
Below is the abstract for our presentation, Advancing Music Education in Northern Europe: Authorship in a State-Sponsored International Network.
This session will report on the findings and outcomes from a new multi-authored book entitled Advancing Music Education in Northern Europe, under contract by Routledge, with publication expected in mid-2018. We chronicle how the Nordplus-sponsored Nordic Network for Music Education was founded and developed across a 20-year period, document the network’s impact on Master programs and professional development in the field of music education, and demonstrate how the eight nations involved in this network – Norway, Iceland, Denmark, Sweden, Finland, Estonia, Latvia, and Lithuania – are making unique contributions of global significance to the field. Northern Europe, is a region arguably of great importance to music education for a number of reasons, seen for instance in Norway’s ranking as the ‘happiest nation on earth’; the well-known success of Finland’s schools in international-comparative measures of student achievement; how Sweden has grappled with its recent experience as ‘Europe’s top recipient of asylum seekers per capita’ and Estonia’s national identity as a country born from a ‘Singing Revolution’, to name but a few examples. Our book offers reflections on how music education, and approaches to the training of music teachers, have changed across recent decades, a period of significant innovations. At a time when international partnerships appear to be threatened by a recent resurgence in protectionism and nationalism, our book (and the discussion at ISME) also more generally demonstrates the value of formalized international cooperation in the sphere of higher education. Our panel for the ISME conference in Baku includes authors from several different Nordic and Baltic countries (including Norway, Sweden, Estonia, and Iceland), each of whom contributed chapters to the forthcoming book. The co-editors of the book will chair the one-hour session in which we discuss the concept of the book, as well as key points developed through our international collaboration, and share reflections on the process of collective authorship.
Participants:
Chair: David Hebert, Western Norway University of Applied Sciences
Kristi Kiilu, Estonian Academy of Music and Theatre
Geir Johansen, Norwegian Academy of Music
Cecilia Ferm-Almqvist, Lulea University of Technology, Sweden
Adriana Di Lorenzo Tillborg and Eva Saether, Malmo Academy of Music, Lund University, Sweden
Helga-Rut Gudmundsdottir, University of Iceland
Here are links to earlier posts with more information about NNME and the book project:
UPDATE (July 23, 2018): Below are a few photos from the presentation, which was very well attended and positively received by delegates from several different countries, including leading professors from China, Russia, Japan, Switzerland, Canada, etc.
From China to the World: Internationalizing
I have just returned to Norway from a visit to Beijing, where I had projects with both China Conservatory of Music and the China University of Political Science and Law, and attended the National Music Education Conference.
Next, I go to Baku, Azerbaijan to give two presentations at the world conference of the International Society for Music Education (ISME). One of the presentations is called “From China to the World: Internationalizing an Innovative Music Education Initiative”.
Here is a link to a brochure for this presentation:
Below is the abstract of our presentation:
On November 6 of 2017, CETV (the world’s largest Chinese-language educational broadcaster) televised a special report on the official launch of Huaxia Yuefu, which took place at the annual national conference for music education in the People's Republic of China. Huaxia Yuefu is the Chinese branch of a major initiative known as Open Global Music Academy (OGMA), which has been developed across the past 3 years in cooperation with various ISME leaders, and is expected to become the world’s largest music institution. The purpose of OGMA is to enhance international knowledge of music, and musical collaboration, via online study partnerships. Three of the Chinese professors that have been most active in ISME across recent years participated in the launch of Huaxia Yuefu: Jiaxing Xie (China Conservatory), Bo-wah Leung (Hong Kong University of Education), and Victor Fung (University of South Florida, USA). Twenty pilot online courses (known as MOOCs) were demonstrated at the conference, with representatives from 225 universities, teacher colleges and music conservatoires. The courses fall into six major fields of music study: MOOCs for universities, conservatories, general education, teacher colleges, early childhood, and community music education. According to the CETV report, there are currently 300,000 music teachers in China, but this is insufficient relative to the increasing demand for music education, and online education via MOOCs offers important opportunities that would otherwise not be possible for providing lessons to music students and enhancing the specialized professional training of music teachers. Now that Huaxia Yuefu has been launched in China, the next step in this initiative is to expand in partnership with higher education music institutions worldwide that would like to cooperate with Chinese institutions to facilitate online music studies in both Chinese and English. Huaxia Yuefu is likely to soon reach tens of thousands of Chinese learners, but the broader Open Global Music Academy (OGMA) vision calls for both English and Chinese subtitles, and overdubs, in online courses that openly share knowledge of music around the world. How will the Chinese Huaxia Yuefu branch expand into the international OGMA framework in the near future? The purpose of our ISME panel session is to engage in transparent discussion regarding possible governance models for OGMA and prospective policies to ensure the OGMA initiative is inclusive, educationally effective, and technologically robust, with intuitive functionality that fits the needs and interests of music educators worldwide. With reference to the theoretical underpinnings and practical developments in various phases of this project, our discussion will emphasize ways of steering the future development of the Open Global Music Academy so it aligns well with the vision and mission of ISME.
Speakers: David Hebert, Jiaxing Xie, Alex Ruthmann, Gary McPherson, Bo-wah Leung, and others.
UPDATE (July 23, 2018): Below are a few photos from the presentation in Baku, which was very well attended by delegates from many different countries, including Board members of the society. Unfortunately, neither of the women scheduled for our panel were able to attend, but we engaged with excellent Discussants from many places, including Ana-Lucia Frega from Argentina and Eva Saether from Sweden.
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6/9/18
Summer Teaching in Arts Policy
6/2/18
Book Launch and Concert of East Asian Music
As the book’s contributing Editor, I will also give a talk. The major sponsor for this event is the Japanese Studies department at University of Bergen, and support has also been offered by the Institute of Arts Education at Western Norway University of Applied Sciences.
5/4/18
Music Conference in Zhejiang
The Fourth International Forum for Leadership of Music Institutions (IFLMI) will be held in Jinhua, Zhejiang, China in mid-May, 2018. Several notable music professors from around the world will be attending as invited speakers.
UPDATE (16 May 2018): There have been some cancellations, but here is a link to the final program for this event:
Below is an institutional profile of the School of Music at Zhejiang Normal University, which is likely to develop an excellent international network through this unique event.
4/12/18
Book Release Event in Norway
WHERE: Library, Kronstad campus, Western Norway University of Applied Sciences, Bergen.
WHO: All are welcome, free public event.
3/16/18
Book Release Event in Poland
3/15/18
Study Trip to Vienna
3/12/18
Keynote Speech in Estonia: The Power of Music to Unite and Divide
I look forward to giving a keynote speech for the national music education conference in Estonia in April, 2018. It is exciting to have this opportunity to visit such a beautiful country with incredibly rich musical traditions.
Rethinking its Potential Role in 21st Century Education
2/5/18
Nordic Network for Music Education 2018
1/27/18
Music of Norwegian Composers
I am currently giving music lectures in Bergen as part of a course for international students from seven countries (Belgium, Netherlands, Czech Republic, Slovenia, Slovakia, Greece, and Spain), all of whom are visiting Norway for this Spring 2018 semester.
On Monday I give a recital affiliated with the class in collaboration with pianist Mai Goto. Click HERE for a link to the recital program.
For this recital, we are performing music by notable Norwegian composers: EDVARD GRIEG (1843-1907), GEIR TVEITT (1908-1981), HARALD SAEVERUD (1897-1992), and ROLF WALLIN (b.1957).
It is impressive to see how many interesting musicians were born in Bergen, and a major project that I am developing for the near future is an open access online course (MOOC) that demonstrates the Bergen music scene with lots of original interviews and documentary video, supplemented with engaging lectures and fun quizzes to help participants retain the information provided. I am convinced this MOOC will be interesting for people worldwide and increase global interest in music, and music education, in Norway.
(Geirr Tveitt image from Wikipedia)
1/20/18
Arts Policy Course at Chinese Law School
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Welcome to Sociomusicology
For over 15 years (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also an Affiliated Professor with University of the Faroe Islands and an Honorary Professor in China with the Education University of Hong Kong.
Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:20; i10-index:30), with professional activities in an average of 8 countries per year across the past decade (2008-2020).
Related links:
Publications and Activities
Recent Books: * Wind Bands and Cultural Identity in Japanese Schools (2012, Springer), *Theory and Method in Historical Ethnomusicology (2014, Lexington) * Patriotism and Nationalism in Music Education (2016, Routledge) * International Perspectives on Translation, Education, and Innovation in Japanese and Korean Societies (2018, Springer), *Music Glocalization: Heritage and Innovation in a Digital Age (2018, Cambridge Scholars),*Advancing Music Education in Northern Europe (2019, Routledge), *Teaching World Music in Higher Education (2020, Routledge), *Ethnomusicology and Cultural Diplomacy (2022, Rowman & Littlefield), *Shared Listenings: Methods for Transcultural Musicianship and Research (2023, Cambridge University Press), *Comparative and Decolonial Studies in Philosophy of Education (2023, Springer). *Perspectives on Music, Education, and Diversity (2024, in press, Springer). *A Philosophy of Music Education for the Era of AI: Dialogue Between Chinese and Western Perspectives (2025, forthcoming, Routledge).
Articles in 35 different professional journals and chapters in 10 other books.
Full List of Publications: http://sociomusicology-icom.blogspot.no/
Keynote Speaker - Across recent years, Professor Hebert has had keynote speeches in Poland, Germany, Uzbekistan, China, Sweden, Norway, Estonia, Lithuania, Tanzania, and Thailand, and chaired two sessions at ISA-Japan.