“Tanglewood II – Charting the Future: A Symposium on Music Learning for the Twenty-First Century
” is an ambitious project that was launched in June of 2006, with the first of eight pre-symposium events offered at various American universities nationwide. It concluded on June 25th
of 2007, with the wrapping up of an online forum involving more than 5,000 participants followed by a week-long “think tank” residency hosted by Boston University
in the Berkshires. Considering the magnitude of this project – in terms of the numbers of related events and participants (both physically present and in the virtual sphere of internet forums) – Tanglewood II
appears to be the largest project to have systematically examined current challenges and future prospects for music learning in the United States and abroad.
The wider historical and institutional context of this event is that it is a forty-year anniversary of the original Tanglewood Symposium that was hosted by Boston University in 1967. Tanglewood I was a rather unique and unprecedented event in that it consisted of an intimate “think tank” discussion format that included music education specialists along with professional musicians and influential scholars from other disciplines. Notable participants included psychologist Abraham Maslow, ethnomusicologist David McAllester, and even the iconic American big bandleader and jazz arranger Stan Kenton. There were only 34 members of the 1967 symposium, along with a handful of observers, and it only lasted for 5 1/2 days. Within 3 days of its conclusion, a declaration was produced as a position statement that outlined key issues and new directions in the field of music. In retrospect, the Tanglewood I declaration could certainly be described as having an ethnomusicological agenda. Essentially, its primary emphasis was on opening up the field of music teaching at all levels to include music of non-Western cultures, popular music, and jazz, as well as the development of a broad range of musical activities in educational contexts beyond the traditional performance offerings of school bands, orchestras and choirs.
The world has changed dramatically over the forty years since that declaration was issued, yet it continues to be regarded as an especially important document in the history of music education (both in the USA and abroad), resulting from what is seen as perhaps the most significant event in the field during the latter half of the 20th century, the Tanglewood Symposium. Forty years later, Tanglewood II was modeled on the original Tanglewood Symposium. Its objectives, according to the symposium website were “to project a future that will act as a guide for music learning, both within and outside of formal programs . . . Since the original Tanglewood, much has been learned about how the human community processes music, what values it attaches to music experience, and, most importantly, how people learn music. This is the subject of Tanglewood II, a duplication of Tanglewood I in spirit, but decidedly and substantially of the 21st century.”
The Tanglewood II Declaration is scheduled to be published on the project website in the next few weeks (by the end of November 2007), and a DVD and other materials are currently in preparation. Hopefully these Tanglewood II outcomes will inspire further dialogue regarding the current state and future direction of music education.
For more information, please see the Tanglewood II website:http://www.bu.edu/tanglewoodtwo/