Sociomusicology: Board Meeting in Montreal

3/29/25

Board Meeting in Montreal

I eagerly look forward to participating in a Board meeting of the International Society for Music Education (ISME) in Montreal, Canada, during summer 2025.

This will be an opportunity to discuss and collectively make decisions regarding ISME and its array of activities, while also making detailed plans regarding its upcoming world conference to be held in Montreal in summer 2026.

There are very interesting people on the ISME Board, from several different countries worldwide, and with expertise in diverse subfields of music education. We also have excellent leadership from the President, President-Elect, Past-President, and CEO, and the dedicated support of friendly and competent staff with the ISME executive office. This will also be my first time to Montreal, which seems to be an amazing city with a great history.

ISME is commited to democratic governance, and members are welcome to share any issues or concerns they would like to see raised for discussion at the meeting. We hope for ISME to satisfy all members for its role in supporting music education worldwide.

Public domain image source: https://commons.wikimedia.org/wiki/File:Mtl_from_mont_royal_(cropped).jpg

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Welcome to Sociomusicology

For over 15 years (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also an Affiliated Professor with University of the Faroe Islands and an Honorary Professor in China with the Education University of Hong Kong.

Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:20; i10-index:30), with professional activities in an average of 8 countries per year across the past decade (2008-2020).