5/10/12
International-Comparative Music Research
Below is the abstract of my keynote speech for the upcoming conference of the Grieg Research School, which is on the theme of research methodologies in music. I think it promises to be a very interesting conference, and I am especially eager to see the presentations by professors David Hargreaves, Marie McCarthy, and Brynjulf Stige.
Grieg Research School in
Interdisciplinary Music Studies, Bergen
June 18-20, 2012
Researching
Music Practices – Methodological Approaches
Challenges and Opportunities in
International-Comparative Music Research
David G.
Hebert
Abstract
The credo “Know Thyself” was advocated by
Socrates, but as Ptolemy and others would later recognize, it is only possible
to fully know our selves and the ultimate significance of human practices (such
as music) through systematic documentation and comparison, which enables the
production of robust theories and contextualized, verifiable knowledge.
Judicious comparison of diverse practices and contexts is an essential
component of theory construction, yet hasty comparisons can also be very
misleading. It is, therefore, important to carefully consider the common
pitfalls of comparison, and how they may be avoided, as we interpret and design
international-comparative studies to develop new advancements in musical
knowledge.
In this presentation, I will use anecdotes
from personal experience to illustrate various aspects of
international-comparative music research, including its distinctive prospects,
characteristic methodologies, and contemporary theories, as well as potential
risks and benefits associated with the application of its findings in such
fields as ethnomusicology, music education, and performance science.
Specifically, I will demonstrate issues in the representation of sociocultural
differences, and how a comparative lens can produce practical insights, particularly
through examination of performance techniques, music institutionalization and arts
policy, and global norm making. A deeper understanding of such issues may help shape
a research agenda toward pioneering findings and actionable outcomes, enabling
others to increasingly recognize music’s value and utilize its power in
positive ways for an improved quality of life.
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