Sociomusicology: Damascus

11/23/10

Damascus

Damascus: possibly the oldest continuously inhabited city in the world.

Below are images of (1) nearby, the ancient city of Ma'loula (where probably the world's oldest churches -- founded by St. Paul -- are located and Aramaic is still spoken), (2) the new Damascus Opera House, (3) the spice market of Old Damascus, (4) the magnificent Umayyad Mosque, a sacred site which enshrines Hussayn (grandson of Mohammed) and unique relics that even include "John the Baptist's head", and (5) a meal with Syrian Philharmonic Orchestra conductor Nahel Al Halabi and concert pianist Dr. Chaden Yafi (leading young classical musicians affiliated with the opera and conservatory).

I taught a workshop today for trumpeters at the conservatory, following a meeting with the Director of the opera house, and then had a marvelous meal and visited various sites in Old Damascus. The architecture, design, spices and calligraphy were all certainly memorable, but the ecstatic singing and tearful prayers at these sacred sites were especially impressive.

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Welcome to Sociomusicology

For over 15 years (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also an Affiliated Professor with University of the Faroe Islands and an Honorary Professor in China with the Education University of Hong Kong.

Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:20; i10-index:30), with professional activities in an average of 8 countries per year across the past decade (2008-2020).