In 2005 I began exploring the New Zealand music scene in the hope of finding some good topics to research. One important theme that rather quickly caught my attention was Maori women songwriters, so I began collecting their recordings and conducting interviews with them in 2006. Some of my favorites are Whirimako Black, Moana Maniapoto, and Mahinarangi Tocker, each of whom may be rightfully regarded as world-class creative musicians. I plan to give some research presentations on the topic of Maori women songwriters soon, and have begun developing related lesson plans for a book in collaboration with Kiwi performing arts specialist Susan Battye. Below are some interesting video clips of Maori women songwriters [NOTE: This website is best viewed with the Mozilla Firefox browser - downloadable for free - rather than Internet Explorer or Netscape.]:
Moana Maniapoto’s Life:
Moana Maniapoto’s Performance:
Whirimako Black’s ‘E Te Kai’ Video:
Mahinarangi Tocker (about one minute into this video on Kiwi poet Hone Tuwhare):
For over 15 years (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also an Affiliated Professor with University of the Faroe Islands and an Honorary Professor in China with the Education University of Hong Kong.
Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:20; i10-index:30), with professional activities in an average of 8 countries per year across the past decade (2008-2020).
Keynote Speaker - Across recent years, Professor Hebert has had keynote speeches in Poland, Germany, Uzbekistan, China, Sweden, Norway, Estonia, Lithuania, Tanzania, and Thailand, and chaired two sessions at ISA-Japan.
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