Sociomusicology: Grieg Research School: Summer Course 2026

1/21/26

Grieg Research School: Summer Course 2026

The Grieg Research School in Interdisciplinary Music Studies (GRS) has announced its upcoming PhD course and research symposium, open to all PhD candidates and postdoctoral researchers with an interest in music.

This will be held on 16-18 June, 2026 in the greater Bergen area, on the beautiful island of Stord, western Norway.

GRS promises to be an exciting event, with many stimulating opportunities to share and learn about the latest theories, methods, and findings across an array of music fields.

Please share this opportunity with music researchers, and click here for more information: https://griegresearchschool.no/courses/grs-summer-school-2026/

Public domain image source: https://snl.no/Sunnhordland

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Welcome to Sociomusicology

For nearly 20 years (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also an Affiliated Professor with both University of the Faroe Islands and Kyambogo University (Uganda), and an Honorary Professor in China with the Education University of Hong Kong.

Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:22), with professional activities in an average of 8 countries per year across the past decade (2008-2020).