Sociomusicology: Keynote in Thailand

8/13/20

Keynote in Thailand

I look forward to giving a Keynote presentation soon for a conference in Thailand in collaboration with creative colleagues in the avant garde ensemble The Six Tones. Our presentation is titled “Musical Transformations: Networked Performance in Intercultural Music Creation,” a keynote developed for Is the Virtual Real?: Musical Communities in the 21st Century, the annual Princess Galyani Vadhana Institute of Music (PGVIM) International Symposium.

UPDATE (Sept. 27, 2020):

Here is a link to our entire keynote presentation (complete with performances and interviews):

Here is a link for anyone who wants to skip to the Conclusion from our keynote presentation:

https://youtu.be/UsN-RUz5mwo?t=2799

For several years, the PGVIM events have attracted music specialists from around the world to Thailand. Due to the pandemic in 2020, our presentation is via videoconference.

Click HERE for the symposium schedule of events, and HERE for details on our presentation.

Above is a photograph of members of The Six Tones, and below is a photo of me playing Thai cymbals at a Maori marae in New Zealand (from 15 years ago during the Thai-Maori Musical Exchange Project with Dr. Pornprapit Phoasavadi, who had been my teacher of Thai jakhe for several years).

Paper presentation (with guitarist Stefan Östersjö, Vietnamese dan tranh master Than Thuy Nguyen, and composer Henrik Frisk), “Musical Transformations: Networked Performance in Intercultural Music Creation”; Panel discussion with composers Joseph Hyde (Bath Spa), Scott Wilson (Birmingham), and Ivan Zavada (Sydney), Is the Virtual Real?: Musical Communities in the 21^st Century, Annual PGVIM International Symposium, Princess Galyani Vadhana Institute of Music, Bangkok, Thailand (August 25, 2020). [presented via videoconference]

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Welcome to Sociomusicology

For a decade (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also a Visiting Professor in Sweden with the Malmo Academy of Music (Lund University), and an Honorary Professor in China with the Education University of Hong Kong.

Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:20; i10-index:28), with professional activities in an average of 8 countries per year across the past decade (2008-2020).