10/11/19
Reviews of Music Glocalization Book
There have already
been some positive reviews of our book from 2018, Music Glocalization: Heritage and
Innovation in a Digital Age, and it is cited in recent publications by
scholars in Cyprus, Poland, Norway, and the Czech Republic. Additionally, my co-editor Mikolaj Rykowski has been favorably reviewed for a promotion, with this book as a significant part of his portfolio.
Below are
some excerpts from the recent reviews of our book:
According to leading glocalization theorist Victor Roudometof, “The volume displays
remarkable thematic coherence, which allows the editors to use the material
presented within individual chapters in order to build broader theoretical
arguments. In its conception and execution, this volume is a noteworthy effort
to insert the problematic of glocalization into the disciplines of musicology
and ethnomusicology … The author advances the notion of being ‘glocalimbodied’ (2018:6), a neologism that combines ‘glocal’ with ‘limbo’ in order to make
sense of an unbalanced condition attributed to glocal forces as well as the
necessity of situating the body within the newfound condition of personalized
branding strategies … The editors’ synthesis of the volume’s research is highly
original and represents a good point of departure for thinking further about
the uses of glocalization in musicology” (Victor Roudometof, Ethnomusicology
Review, 2019).
According
to Professor Wai-Chung Ho (Hong Kong), “This book offers a critical study of
the undertheorized concept of glocalization, intertwining the ‘global’ and the ‘local’ forces between music and society, both past and present … the book
provides a fresh amalgam of perspectives that address music-related subjects.
It also covers diverse topics from theoretical perspectives on local and global
identities of music, art music composition in the digital age, glocalized music
beyond Europe, and glocalized music professions… This book is the first
comprehensive account of how the notion of ‘glocalization’ may be useful in
rethinking nationality in music and the use of local musical traditions that
serve as a means for global strategies. It reconstructs the emergence of music
in the global context and provides an innovative framework for studying how
glocalization transforms aesthetic hierarchies and cultural transmissions, thus
breaking new ground for musicology and the sociology of music” (Wai-Chung Ho, Cambridge
Scholars blog, 2018).
Here is a link for
reviews of my other books:
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