Sociomusicology: Projects in Early 2009

12/22/08

Projects in Early 2009

In addition to mentoring doctoral students (who I hope to see finish their degrees soon), I will be working on several music projects in early 2009: Books, grant applications, lectures, recording sessions, program development, and research editing.

Books

I am currently writing a chapter entitled “Ethnicity and Music Education: Sociological Dimensions” for the book Sociology and Music Education (Ed., Ruth Wright) that will be published on Ashgate Press. In recent months I have completed chapters for the books De-Canonizing Music History (Cambridge Scholars Press), Music Education for Changing Times: Guiding Visions for Practice (Springer), and Multicultural Perspectives in Music Education (Rowman-Littlefield), as well as for my own book Wind Bands and Cultural Identity in Japanese Schools (Springer), all of which will be published in 2009.

Grants

In 2009 I will be applying for funding to support some Nordic research associated with the global Sustainable Futures in Music project of Huib Schippers. I am also currently designing a proposal for a multi-national research project on the use of new music technologies in targeted urban centers of Europe, Asia, and North America.

Lectures

I will be giving lectures on music-related topics in ten countries in 2009. The first of these is a keynote lecture on “How Music Education Research Approaches Music” in Orebro, Sweden for the Nordic Network of Research in Music Education. The topics of other presentations include “Virtuality and Music Education in Online Environments,” “On Maori music,” and “Institutionalizing Popular Music Pedagogy: Lessons from Jazz Education.” I am also currently planning a conference presentation in collaboration with Marja Heimonen.

Recordings

I will finally be spending some time in the recording studio in early 2009 to record several new original songs I wrote over the past few years. I am also producing some original music for New Zealand playwright Susan Battye's Telling Tales book series and singing with Kampin Laulu in a recording session for their CD on Alba Records.

Program Development

Lauri Vakeva and I have recently developed a proposal for a Master of Music degree with emphasis in popular music pedagogy, for which we will be seeking partnerships and external funding from music industry and various foundations. As a member of the GLOMUS network of Nordic higher education music academies, I am also contributing to development of a new inter-institutional Nordic Master of World Music degree.

Editing

Soon the editorial board will release a "Call for Papers" for a special issue of the Finnish Journal of Music Education on multicultural music education, for which I am serving as Guest Editor in mid-2009. I am also continuing on the Editorial Board of Research and Issues in Music Education and as Associate Editor of International Journal of Education and the Arts for at least a few more months. Alexandra Kertz-Welzel and I will also move forward with resubmitting our proposal for a co-edited book to academic publishers.

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Welcome to Sociomusicology

For over 15 years (since 2007), this website has offered musings on contemporary society and its music by David G. Hebert, PhD. He is a sociomusicologist specializing in global music education who has held academic positions with universities on five continents. Dr. Hebert is now a tenured full Professor with Western Norway University of Applied Sciences, Bergen. There he leads the Grieg Academy Music Education (GAME) research group and manages the multinational government-funded Nordic Network for Music Education, which organizes annual intensive Master courses and exchange of teachers and students across eight countries. He is also an Affiliated Professor with University of the Faroe Islands and an Honorary Professor in China with the Education University of Hong Kong.

Professor Hebert's research applies an international-comparative perspective to issues of pluralism, identity, and cultural relevance in music education, as well as processes by which new music traditions emerge and change - both sonically and socially - as they are adopted into institutions. Born in the 1970s, he is among the most widely-published and globally-active music scholars of his generation (h-index:20; i10-index:30), with professional activities in an average of 8 countries per year across the past decade (2008-2020).