In late August I will be visiting spectacular Samarkand, Uzbekistan to give a speech for the musicology symposium affiliated with the 12th International Music Festival Sharq Taronalari.
7/31/19
Sharq Taronalari XII in Samarkand
In late August I will be visiting spectacular Samarkand, Uzbekistan to give a speech for the musicology symposium affiliated with the 12th International Music Festival Sharq Taronalari.
This year’s
symposium is called Prospects for the Development of Traditional Musical Art of the Eastern
People, and my speech, entitled “World Music Pedagogy: Presenting
Central Asian Traditions to the World”, is related to some ongoing writings for
the World Music Pedagogy
book series on Routledge.
The purpose of my presentation
is to introduce Campbell’s WMP model and demonstrate how this innovative approach
may be applied so Central Asian music traditions are effectively shared with foreign
audiences, thereby broadening global appreciation and understanding of Asian
musical heritage.
The Sharq Taronalari festival attracts extraordinarily skilled
traditional musicians from across the world, as well as prominent music festival
managers and ethnomusicologists. I am very thankful for the opportunity to be invited to this great event and look forward to meeting creative musicians from Uzbekistan and other countries.
Link to the festival website:
Video from a
previous Sharq Taronalari festival (starting from 5:35):
https://youtu.be/KfFVPPiQj6I?t=334
Here is a
link for video from the 2019 opening ceremony, with brilliant music and dance:
6/26/19
International Cultural Policy Courses
Across the
past two weeks, PhD students from several countries joined the course I taught
for Bergen Summer Research School entitled Cultural
Policy: Arts Heritage and Sustainability. We included some excellent guest
lecturers, such as Mary Miller (Director of Bergen National Opera) and
Norwegian scholars Tore Sætersdal (anthropologist) and Ole Marius Hylland (policy analyst).
The PhD students came from Germany, Brazil/Sweden, Canada, Ethiopia, Nigeria, Ethiopia, Ghana, and South Africa. We are now developing a book based on these two international cultural policy PhD courses held in 2018 and 2019.
The PhD students came from Germany, Brazil/Sweden, Canada, Ethiopia, Nigeria, Ethiopia, Ghana, and South Africa. We are now developing a book based on these two international cultural policy PhD courses held in 2018 and 2019.
Links for more
information:
Next week I
teach a course entitled Arts Policy in
the Twenty-First Century for law students in China’s leading law faculty, China
University of Political Science and Law (CUPL), Beijing.
In the
Autumn, a new PhD course that I developed will finally be offered in Bergen at
Western Norway University of Applied Sciences. It is entitled Non-Western Educational Philosophy and Policy.
Link for more
information:
PLEASE NOTE: PhD students from other universities are welcome to take these exciting intensive courses in Bergen -- in English -- for ECTS European transfer credits.
Although music, education, and global studies continue to be the major themes in my research and teaching, I am increasingly interested in devising improvements to the ways that governments support arts and cultural heritage through various kinds of institutions.
Labels:
history,
music education policy,
my publications
4/28/19
Funding Received by Nordic Network for Music Education
We are pleased to report that the
Nordic Network for Music Education (NNME) has just been awarded full funding for this year
from the Nordic government Nordplus program to support its intensive international Master
course and exchange of Master students and lecturers across the 8 Nordic and
Baltic countries.
We are very thankful to Nordplus for a 44% increase on our budget from
the previous year, which we will use wisely to ensure a strong future for music
education in Northern Europe. Click HERE for
more information on the NNME.
Our project for 2019 is entitled Digital
Competence and Digitized Musical Heritage. This new project extends on
the 20+ years of NNME history documented in our new book on Routledge, Advancing
Music Education in Northern Europe.
Labels:
finland,
music education policy,
music events,
Norway,
research
4/12/19
Intercultural Music Research
It is a pleasure to be part of two intercultural music research panels with excellent scholars at international conferences
in Bergen and Malmo in early summer, 2019.
Panel Chair/Organizer, “Chinese Music” (with
Directors of Confucius Institutes in Norway and Denmark). Paper presentation, “Musicians’
Reflections on the Teaching of Traditional Chinese Instruments for Prominent
Conservatories in Europe and China,” Nordic
Association for China Studies (NACS) international conference, University
of Bergen, Norway (June 13-14, 2019, PLANNED).
Panelist, “Indigeneity in
the 21st century classroom: Reconstruction and reconciliation in Scandinavia
and North America” (with Eva Saether, David Johnson, Ylva Hofvander Trulsson, and Patrick
Schmidt), European
Association for Music in Schools (EAS) annual international conference,
Malmo Academy of Music, Lund University, Sweden (May 16-18, 2019, PLANNED).
Displayed is a photo I took of a lesson on
the Chinese guqin late last year.
4/1/19
Book Launch: Music Education in Northern Europe
I am pleased to announce that we will soon have a book launch for our latest book on Routledge, Advancing Music Education in Northern Europe.
The book launch will be a public event at the libary of Western Norway University of Applied Sciences, Bergen, on Tuesday April 9, 4pm-6pm.
Contributing authors representing all Nordic and Baltic countries will give presentations at the book launch. These include several of the leading scholars from the field of music education in Northern Europe. There will also be a presentation by Liora Bresler.
Click HERE to access a poster for the event.
Click HERE for more information on the book.
The book launch will be a public event at the libary of Western Norway University of Applied Sciences, Bergen, on Tuesday April 9, 4pm-6pm.
Contributing authors representing all Nordic and Baltic countries will give presentations at the book launch. These include several of the leading scholars from the field of music education in Northern Europe. There will also be a presentation by Liora Bresler.
Click HERE to access a poster for the event.
Click HERE for more information on the book.
12/7/18
World Music Pedagogy
I am happy to announce that along with William Coppola (University of North Texas) I am now co-authoring volume 7 of the World Music Pedagogy series on Routledge press.
Our book, which is scheduled for publication in late 2019, is entitled World Music Pedagogy: Music in Higher
Education.
It is
designed as a unique resource for university and conservatory teachers of world music
courses.
The image shown here offers general information about the series and
here is a link for further details: https://www.routledge.com/music/series/WMP
Here is a
link to purchasing information for my previous books: https://amazon.com/author/davidhebert
Research Evaluation in Music
Music Education
Research,
published by Routledge, has a very international scope and the highest citation
impact among international journals in the field of music education. It now has a 20-year
history.
Action, Criticism, and
Theory for Music Education is the most widely-cited open-access online journal in the field of
music education. It has a 17-year history.
I continue
serving on the Editorial Boards of several other journals as well, including the
very oldest journal in our field, Arts Education Policy Review,
published by Routledge, which was founded in 1899 under a different name.
The Education
University of Hong Kong has a strong reputation for its successful programs, and I have
recently been appointed External Evaluator for its Doctor of Education program
in the field of Creative Arts Education.
Evaluation is
always challenging, and calls for rigorous, systematic approaches and
accountability. Effective evaluators must carefully determine the scope of any
review, be critically reflective regarding their own biases, and develop a
transparent and compelling report that enables researchers and managers to
identify and build upon strengths while also recognizing possible ways of
improving the quality of their work. It is inspiring to have such opportunities
to play an important role in the strengthening of both educational programs and
research projects.
Also, I have just returned to Norway following a residency as Hanban Visiting Scholar at the Central Conservatory of
Music, Beijing. Shown here are images from some of my recent lectures in China, where higher education is rapidly developing with some world-class universities.
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https://orcid.org/0009-0002-1446-3893