Click HERE for a link
to the announcement on the Cambridge Scholars website.
This book is co-edited with Polish musicologist Mikolaj Rykowsi. We have several outstanding contributors, mostly musicologists and music educators from central and Eastern Europe, who address an array of topics associated with how globalization is changing music worldwide:
Hebert, D. G. & Rykowski, M. (Eds.), (2017, forthcoming). Music Glocalization: Heritage and Innovation in a Digital Age. Newcastle: Cambridge Scholars Publishing.
This book was developed through two conferences on Music and Globalization held in Poznan, Poland, birthplace of leading "glocalization" theorist Zygmunt Bauman.
Music Glocalization:
Heritage
and Innovation in a Digital Age
TABLE OF CONTENTS
PREFACE
Mikołaj Rykowski
INTRODUCTION
David G. Hebert and Mikołaj Rykowski: An Overture to Music
Glocalization
PART ONE: Theoretical Perspectives on Glocality and Music
·
Chapter 1- David G.
Hebert: Music in the Conditions of
Glocalization
·
Chapter 2- Krzysztof
Moraczewski: The Challenge of Orality
·
Chapter 3- David
Kozel: The Myth of Globalization and
Contemporary Musical Culture
·
Chapter 4- Mieczysław
Tomaszewski: Traces and Echoes of the
Frontier Idiom in the Polish Music of the “Age of Passions”
·
Chapter 5- Victor
Nefkens: Reframing the Gesamtkunstwerk: On the Multiplicity of The Ring’s Leitmotifs in the Age of Global Media
PART TWO: Art Music
Composition in a Digital Age
·
Chapter 6- Kerri
Kotta: Mixed Identities in Arvo Pärt’s Adam's
Lament
·
Chapter 7- Jennifer
McKay: Northern Irish, Irish, British or
European? The Orchestral Music of Kevin O'Connell
·
Chapter 8- Violeta
Przech: Musical
Hybrids of Zbigniew Bargielski in the Context of Postmodern Culture
·
Chapter 9- Ewa Czachorowska-Zygor: Concert Hall or Cinema Hall?: Adam Walaciński’s Film
Music
PART THREE:
Glocalized Music Beyond Europe
·
Chapter 10- Lucille Lisack:
A National School for Global Music: The
Case of Uzbekistan in the Globalized Network of Western-Style “Contemporary
Music”
·
Chapter 11- Maria
Szymańska-Ilnata: Musical Attitudes and
Actions of Inhabitants of West Sumatra in the Light of Globalization
·
Chapter 12- Łukasz
Smoluch: What do
Eucalyptus and PVC Pipe Have in Common?
PART FOUR: Glocalized
Music Professions
·
Chapter 13- Ryszard
Daniel Golianek: How to Become a European
Composer?: Musical Careers of two 19th Century Polish Artists, Józef
Michał Ksawery Poniatowski and Juliusz Zarębski
·
Chapter 14- Ewelina
Grygier: The Repertoire of Street
Musicians in the Time of Globalisation
·
Chapter 15- David G. Hebert, Mikołaj Rykowski, Renato Meucci, Karen
Odrobna-Gerardi, Paolo Rosato, and Walter Zidaric: Italian Opera as a Glocalized
Profession
CONCLUSION
Mikołaj Rykowski and David G. Hebert: Conclusion: Toward a
Theoretical Model of Music Glocalization
The book is expected to be published in early 2018, following publication of another book on East Asian cultural studies:
Hebert, D. G. (Ed.), (2018). International
Perspectives on Translation, Education, and Innovation in Japanese and Korean
Societies. Dordrecht: Springer.
Below is an image from a visit in 2015 to Samarkand, Uzbekistan to give another keynote speech for the academic symposium at the extraordinary Sharq Taronalari music festival.
