- How to identify perceptually relevant signal properties linked to motion?
- How to define new timbre descriptors that characterize perceived motions?
- What is the link between a performer's gestures, musical interpretation and perceived motion?
- How to control perceived motion for sound design and sonification?
- How is motion perceived in the presence of several modalities (vision, audition, kinesthetic)?
I look forward to participating in the conference and giving a presentation at the featured NNIMIPA event: