I look forward to giving
a Keynote presentation soon for a conference in Thailand in collaboration with creative colleagues
in the avant garde ensemble The Six Tones. Our presentation is titled
“Musical Transformations: Networked Performance in Intercultural Music
Creation,” a keynote developed for Is the Virtual Real?: Musical Communities in the 21st Century, the annual Princess Galyani Vadhana Institute
of Music (PGVIM) International Symposium.
UPDATE (Sept. 27, 2020):
Here is a link to our entire keynote presentation (complete
with performances and interviews):
Here is a link for anyone who wants to skip to the Conclusion from our keynote presentation:
For several years, the
PGVIM events have attracted music specialists from around the world to
Thailand. Due to the pandemic in 2020, our presentation is via videoconference.
Above is a photograph
of members of The Six Tones, and below is a photo of me playing Thai cymbals at
a Maori marae in New Zealand (from 15 years ago during the Thai-Maori
Musical Exchange Project with Dr. Pornprapit Phoasavadi, who had been my teacher of Thai jakhe for several years).
Paper
presentation (with guitarist Stefan Östersjö, Vietnamese dan tranh master Than Thuy Nguyen, and composer Henrik Frisk), “Musical
Transformations: Networked Performance in Intercultural Music Creation”; Panel discussion with composers Joseph Hyde (Bath
Spa), Scott Wilson (Birmingham), and Ivan Zavada (Sydney), Is the Virtual Real?: Musical Communities in the 21st Century,
Annual PGVIM International Symposium, Princess Galyani Vadhana Institute of
Music, Bangkok, Thailand (August 25, 2020). [presented via videoconference]
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